Kabukiza Theatre
February Program at the Kabukiza Theatre
Daily: Feb 02 (Sun) - Feb 25 (Tue), 2025
Matinee:11:00 AM
Evening Show: 4:30 PM
*No performances on the 10th (Mon) and 18th (Tue).
Time Schedule
On sale: from Jan 14 (Tue), 2025 10:00 AM(JST)
Ticket Price
First Class Seat: 18,000
Second Class Seat: 14,000
Upper Tier A: 6,000
Upper Tier B: 4,000
Unit: Japanese Yen (tax included)
Ticket with "English Captioning Service"
Tickets that include an English captioning device are available on the website. Please select "Ticket with English Captioning Service" (1,500 yen will be added to the ticket price) on the ticket purchase page.
*Box Seat: 20,000 (Not available online. Click here for details.)
*Children over the age of 4 must purchase tickets to enter.
*Tea will not be offered at the Box Seats.
Kabukiza Theatre (at TOKYO) Theatre Information
- Single Act Tickets
- 【🔗How to buy tickets】Shochiku Multilingual Online Ticket serves as a ticket agency, meaning you can only purchase tickets allocated to it. This service becomes unavailable two days before the performance date, at which point a "Sold Out" message will appear. However, tickets may still be available from the promoter, Shochiku Co., Ltd. for dates that are shown as "sold out". To check availability and other preferred seating areas, please call +81(0)3 6745-0888 or visit the box office.
*English captioning service available to rent. Click here for details.
*Sold program (Detailed English synopsis are found at the end of the Japanese program) available.
This month’s performances are named the ‘Saruwaka Festival.’ The festival was first held to commemorate the founding of the Saruwakaza Theatre (later, the Nakamuraza) by Saruwaka (Nakamura) Kanzaburō I and the staging of the first kabuki performance in Edo (the old name for Tokyo).
In the Matinee, a spectacular domestic play filled with the visual beauty of Edo kabuki, and an elegant dance based on the cherry blossom viewing held at Daigoji Temple will be performed, followed by a play by the director Yokouchi Kensuke which will be seen for the first time in 37 years since its premiere in 1988, performed this time as kabuki. The Evening Show begins with a history play featuring an ‘onnagata’ female role specialist who portrays a courtesan’s innermost feelings by actually playing the koto, the shamisen and the bowed instrument called kokyū. The next item is a dance depicting a lovers’ tryst in a dream featuring the actor Ikushima on a wretched remote island, followed by a masterpiece, a heartwarming domestic play which evokes laughter and tears, based on a sentimental Rakugo story by San’yūtei Enchō.
*Performance time is subject to change
Sono Omokage Tsui no Amigasa
SAYA ATE
['A Fight in the Pleasure Quarters']
CAST :
- Fuwa Banzaemon
- Bandō Minosuke
- Proprietress of a teahouse
- Nakamura Kotarō
- Nagoya Sanza
- Nakamura Hayato
STORY :
Two samurai are rivals in love for one of the top courtesans in the Pleasure Quarters. As they pass each other in the street, their scabbards knock together, which is considered an insult. They begin to compete with each other in a series of sarcastic, poetic and stately speeches. A play full of the color and ceremony from the most stylized age of kabuki.
DAIGO NO HANAMI
['Cherry Blossom Viewing at the Daigoji Temple']
CAST :
- Toyotomi Hideyoshi
- Nakamura Baigyoku
- Matsu, Toshiie’s lawful wife
- Nakamura Jakuemon
- Yododono
- Nakamura Fukusuke
- Fukushima Masanori
- Bandō Kamezō
- Ōno Harufusa
- Onoe Sakon
- Sorori Shinzaemon
- Nakamura Kashō
- Katō Kiyomasa
- Bandō Hikosaburō
- Maeda Toshiie
- Nakamura Matagorō
- Kita no Mandokoro (first wife of Hideyoshi)
- Nakamura Kaishun
STORY :
This dance is set within the beautiful grounds of the Buddhist temple Sanbō-in, a sub-temple of the great Daigoji in Kyoto. In 1598, Toyotomi Hideyoshi had the existing garden redesigned for an extravagant cherry blossom-viewing party, and that event is known to this day as Daigo no Hanami, the ‘Cherry Blossom Viewing at the Daigoji Temple’. The party was on a very grand scale and many great warlords, their wives and retainers, as well as Hideyoshi’s own wives, concubines and sons were invited.
KIRARA UKIYODEN
['The Biography of the Colored Woodblock Print with Mica']
CAST :
- Tsutaya Jūzaburō
- Nakamura Kankurō
- Oshino, a prostitute
- Nakamura Shichinosuke
- Okiku, a prostitute
- Nakamura Yonekichi
- Kitagawa Utamaro
- Nakamura Hayato
- Takizawa Bakin
- Nakamura Fukunosuke
- Katsushika Hokusai
- Nakamura Utanosuke
- Santō Kyōden
- Nakamura Hashinosuke
- Hajikano Nobuoki, Lord of Kawachi
- Nakamura Kinnosuke
- Koikawa Harumachi
- Nakamura Shikan
- Ōta Nanpo
- Nakamura Karoku
STORY :
In an era of peace and prosperity, Edo is flourishing with vibrant culture and lively energy. Born in a corner of the glamorous Yoshiwara pleasure district, Tsutaya Jūzaburō runs a small lending library while harboring grand dreams. Perceptive to the desires of the people, he quickly identifies and nurtures the talents of young artists with unique personalities, leading his business, Kōshodō, to rapid success and smooth sailing. However, the atmosphere in Edo changes dramatically with the Kansei Reforms, which emphasize frugality and austerity. As a result, Tsutaya faces the severe punishment of having half his assets confiscated. Trapped in a seemingly endless darkness with no way out, Tsutaya’s passionate determination drives him to keep fighting. Entangled in his struggle are figures such as Oshino, a popular courtesan from Yoshiwara. Finally, Tsutaya takes a bold, life-changing step to turn his fate around...
*Performance time is subject to change
DANNOURA KABUTO GUNKI
Akoya
['Akoya' from 'The War Chronicles at Dannoura']
CAST :
- Akoya, a courtesan
- Bandō Tamasaburō
- Iwanaga Saemon
- Nakamura Tanenosuke
- Chichibu no Shōji Shigetada
- Onoe Kikunosuke
STORY :
The courtesan Akoya is the lover of the fugitive general Kagekiyo. She has been captured and is tortured by the wise Shigetada and the humorous but vicious villain Iwanaga in order to find out Kagekiyo’s whereabouts, which she claims not to know. Shigetada forces Akoya to play three instruments, since the slightest disturbance in the sound would indicate that she is lying. This is a showpiece for an ’onnagata’ who must actually play the koto, the bowed kokyū, and the shamisen flawlessly as part of the drama.
EJIMA IKUSHIMA
['Ejima and Ikushima']
CAST :
- Ikushima Shingorō
- Onoe Kikunosuke
- A peddler
- Nakamura Mantarō
- Ejima, a lady-in-waiting / A woman diver resembling Ejima
- Nakamura Shichinosuke
STORY :
‘Ejima and Ikushima’ is a dance first performed in 1913. It is based on the Ejima Ikushima Incident of 1714. Scene 1 depicts Ikushima’s dream, where the extravagant love of the beautiful Ejima and Ikushima on a boat is shown in a fantastic manner. The highlight in Scene 2 is Ikushima’s kudoki (‘lament’) in which, awoken on Hachijōjima Island, his place of exile, from his dream, he looks back on his best days. Please enjoy this moving dance drama filled with lyricism.
NINJŌBANASHI BUNSHICHI MOTTOI
['The Bunshichi Paper Cord']
CAST :
- Chōbē, a plasterer
- Nakamura Kankurō
- Okane, Chōbē’s wife
- Nakamura Shichinosuke
- Ohisa, Chōbē’s daughter
- Nakamura Kantarō
- Bunshichi, a clerk
- Nakamura Tsurumatsu
- Ihē, chief of a fire brigade
- Onoe Shōroku
- Seibē, owner of the Izumiya
- Nakamura Shikan
- Okoma, mistress of the Kadoebi
- Nakamura Manju
STORY :
Adapted from a classical Rakugo story by San’yūtei Enchō, this play shows the gallant spirit of the commoners of Edo. Chōbē spends his days and nights gambling, but finally realizes his family’s problems when his daughter takes a job in the pleasure quarters. Having received the money for her contract, he reveals his good heart by saving Bunshichi who is about to commit suicide. Chōbē feels sorry for Bunshichi and finally gives him the money. Returning home, nobody believes Chōbē, thinking instead that he has gambled the money away. Then, Bunshichi and his master Seibē come to Chōbē’s home, and reveal the truth.