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October Program at the heiseinakamurazaother

October Program at the Heisei Nakamuraza Theatre

Daily: Oct 01 (Thu) - Oct 25 (Sun), 2026

Part 1:11:00 AM

Part 2: 4:00 PM

Schedule

Seating Chart

Time Schedule

On sale: from Aug 07 (Fri), 2026 10:00 AM(JST)

MATSU Seat (Level 1): 16,500
TAKE Seat (Level 1, Level 2): 16,500
UME Seat (Level 2): 13,000
SAKURA Seat (Level 2): 11,000
ODAIJIN Seat (Level 2): 36,000

Unit: Japanese Yen (tax included)

*Children over the age of 4 must purchase tickets to enter.
*ODAIJIN Seats, MATSU Seats and SAKURA Seats are not available for online purchase. Click here for details.
*In the MATSU seats you will be seated on the floor on zabuton cushions. Special chairs are provided in the ODAIJIN Seats, while all other seating consists of benches.
*Outdoor shoes are not permitted inside the theatre. Please take off your shoes at the entrance.
*Customers with tickets for consecutive sessions are asked to leave the theatre once the previous session has ended.

Access to the theatre (Temporary theatre in the Sensō-ji Temple)

Edo kabuki is said to have originated in 1624, when the first Saruwaka (later Nakamura) Kanzaburō built the Saruwakaza (later known as the Nakamuraza Theatre) in Edo—the first theatre officially recognized by the shogunate. Beloved by the common people, the Nakamuraza Theatre flourished as the leading theatre among the Three Great Theatres of Edo. Fast forward to 2000. Inspired by the passionate vision of the eighteenth Nakamura Kanzaburō, who had taken the kabuki world by storm, the 'Heisei Nakamuraza Theatre' was established in Asakusa to revive for the modern era the vibrant spirit of the Nakamuraza Theatre that once captivated the common people of Edo. This temporary theatre, a recreation of an Edo-period playhouse, has captivated audiences worldwide since its opening not only in Asakusa and throughout Japan, but also in New York and across Europe.

Performance Time: 11:00 AM - To be announced

HO AGETE IOU TAKARABUNE

['Celebrating a new Start of the Actors']

CAST :
Hashihiko
Nakamura Hashinosuke
Fukuhiko
Nakamura Fukunosuke
Utahiko
Nakamura Utanosuke
STORY :

This dance was created in 2016 to celebrate the name-taking ceremony of the three sons of Nakamura Shikan VIII: Nakamura Kunio, who became Nakamura Hashinosuke IV; Nakamura Muneo, who became Nakamura Fukunosuke III; and Nakamura Yoshio, who became Nakamura Utanosuke IV. It will now be performed for the first time since its premiere. A lively and celebratory dance performed by the three brothers.

Performance Time: To be announced

KANADEHON CHŪSHINGURA
- Act 9: Yamashina Kankyo

['The Treasury of Loyal Retainers Yuranosuke at Yamashina']

CAST :
Tonase
Nakamura Shichinosuke
Ōboshi Yuranosuke
Nakamura Kankurō
Oishi
Nakamura Senjaku
Kakogawa Honzō
Nakamura Ganjirō
STORY :

This is Act 9 of the epic play based on a sensational incident in the early eighteenth century. Lord En’ya Hangan's attack on the senior official Kō no Moronō affected people even outside his own household. When Honzō, the senior retainer of another lord, stopped En’ya from killing Moronō, he thought that he was doing a good thing. But his actions earned him the scorn of En’ya's retainers and brought personal tragedy to his daughter who was engaged to Rikiya, the son of Yuranosuke, En’ya's head retainer. The scene is set in snowbound Yamashina near Kyoto where Yuranosuke has seemingly retired. It shows the tragedy as it affects Honzō's wife and daughter and how ultimately Honzō sacrifices his life to atone for his misjudgment.

Performance Time: To be announced

RENJISHI

['Parent and Child Lion Dance']

CAST :
The actor Ukon, later, the spirit of the parent lion
Nakamura Kankurō
The actor Sakon, later, the spirit of the lion cub
Nakamura Kantarō
The actor Sakon, later, the spirit of the lion cub
Nakamura Chōzaburō
STORY :

This is a dance adapted from a tale featuring the legendary 'shishi', a mythical lion-like beast. It is based on the belief that a 'shishi' will push its cubs over a steep cliff as a test of their strength, only nurturing those cubs strong enough to climb up by themselves. Two priests dance the tale of the legendary 'shishi' that live at the foot of a holy Buddhist mountain. The dance portrays a parent 'shishi' forcing its cubs to undergo harsh training in order to grow up strong. In the finale, the 'shishi' themselves appear and perform their dance with the wild shaking of their long manes.

Performance Time: 4:00 PM - To be announced

GOZONJI SUZUGAMORI

['Gonpachi and Banzui'in Chōbē']

CAST :
Banzui'in Chōbē
Nakamura Shikan
Shirai Gonpachi
Nakamura Kantarō
STORY :

This is a short scene from Tsuruya Nanboku's play 'Ukiyozuka Hiyoku no Inazuma'. The young samurai Gonpachi is ambushed near the execution grounds of Edo on a dark night, but he manages to escape after a gruesome but humorous fight scene. Watching from a nearby palanquin, Chōbē, a chivalrous townsman, is impressed with Gonpachi's fighting skills and agrees to give him shelter in the city. This meeting between the handsome young Gonpachi and the heroic Chōbē is one of the most famous meetings in kabuki.

Performance Time: To be announced

SUKEROKU KURUWA NO HATSU ZAKURA

['Sukeroku in the Pleasure Quarters']

CAST :
Hanakawado no Sukeroku
Nakamura Kankurō
Agemaki, a great courtesan of the Miuraya
Nakamura Shichinosuke
Hige no Ikyū
Nakamura Shikan
Soga no Mankō, Sukeroku’s mother
Nakamura Kamenojō (from 1st to 22th)
Nakamura Senjaku (from 23rd to 25th)
Rigyō, a man-about-town
Nakamura Ganjirō
Shinbē, Sukeroku’s elder brother
Nakamura Senjaku (from 1st to 22th)
Kataoka Nizaemon (from 23rd to 25th)
STORY :

The Yoshiwara Pleasure quarters in Edo (old Tokyo) are bustling as always. Wearing the most gorgeous kimono, Agemaki, the top courtesan of the Miuraya teahouse, is tipsy and rests in front of the shop. Ikyū, the bearded gallant is in love with her and speaks ill of her lover Sukeroku out of jealousy. Hearing these words, she becomes furious and picks a fight. Just then, Sukeroku himself appears, and after showing off his handsome appearance, he tries to start a fight with Ikyū. This is not a surprise, for Sukeroku is famous for starting fights with people, but this is actually Sukeroku's plan to unsheathe people's swords in order to find out who stole the treasured sword that led to his father's death. Sukeroku finally sees that Ikyū has this very sword and ambushes him ....